Ebook Free The Culture of RedemptionBy Leo Bersani

Ebook Free The Culture of RedemptionBy Leo Bersani

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The Culture of RedemptionBy Leo Bersani

Ebook Free The Culture of RedemptionBy Leo Bersani

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In this frankly polemical book, Leo Bersani does battle with a pervasive view in modern culture: the idea that art can save us from the catastrophes of history and sexuality. Bersani questions this assumption and ranges widely through modern literature to prove his point. He makes fascinating comparisons between Melanie Klein and Marcel Proust; the enigmatic and more unresolved works of Freud; Walter Benjamin, Baudelaire, and Nietzsche; André Malraux and Georges Bataille; Flaubert, Melville, Joyce and Thomas Pynchon.

Bersani is not telling us to put down Freud or Eliot or Proust or Joyce. But he is urging us to make new evaluations and to be aware of the enervating concealed morality of high modern culture. This is literary criticism of the first order – a defense of “the absolute singularity of human experience” – and deserves the widest readership among those who are devoted to literature but are suspicious of the redemptive role that has been assigned to it.

• Sales Rank: #4628214 in Books
• Published on: 1990-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 1.00" l,
• Binding: Hardcover
• 248 pages

Review
Brilliant...[Bersani's] 'culture of redemption'...holds that literature is not there to stir us to erotic excitement as we read but to reaffirm us in our egos, and that the grand designs of art are grand because they compensate us for the tedium, pain and disorder of reality. Such a philosophy of art, Mr. Bersani suggests, devalues both reality and art--reality because once it is thus redeemed the real is dead, its uniqueness having been sacrificed in the cause of intelligibility; and art because it now appears as some sort of repair kit, a merely rational, insufficiently pleasurable makeweight for the shortcomings of life...[Bersani's] post-modern culture of narcissism may have no hope of ever replacing the old culture of redemption, but in putting its case with such admirable eloquence and sophistication he has brought real light to the dark question of how we may relate, as selves, to any culture at all. (John Sturrock New York Times Book Review)

Bersani is one of the best essayists and readers now writing, in or outside the academy. Learned and precise, his best essays reinterpret both a specific text and the cultural moment. The finest chapters are those devoted to Marcel Proust and Melanie Klein, to Freud, to Baudelaire, Benjamin, and Nietzsche, and above all a profound piece on the unjustly neglected André Malraux and on Georges Bataille. (Choice)

I find Bersani's message irresistible and exhilarating, one that provokes an act of recognition on the same order as viewing the emperor's new clothes...It is, I believe, prescient as well. For Bersani's path-breaking formulations help make way, during this brief, odd period of transition, for new shapes of art having little to do with 'modern' or 'postmodern'--for those playful modes just now beginning to imagine themselves. (Victoria Nelson Agni)

Review
In a world where literary criticism is subject to the grossest forms of overproduction and where critical books that matter, and have something of general importance to say to our culture, are extremely rare, Bersani's will stand out as one of the half dozen or so by which its decade will be remembered. (Malcolm Bowie, University of London)

About the Author
Leo Bersani is the Class of 1950 Professor of French at the University of California, Berkeley.

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Ebook Free Star Wars: Adventures in Wild Space: The SnareBy Cavan Scott

Ebook Free Star Wars: Adventures in Wild Space: The SnareBy Cavan Scott

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Star Wars: Adventures in Wild Space: The SnareBy Cavan Scott

Ebook Free Star Wars: Adventures in Wild Space: The SnareBy Cavan Scott

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A long time ago, in a galaxy far, far away...When the parents of Milo and Lina Graf are abducted by agents of the evil Empire, the children must undertake a perilous journey across the unknown reaches of Wild Space to rescue them - and to discover hope for the future. In this second full-length adventure, Milo and Lina trace their latest clue to a remote jungle world - where a terrifying beast lies in wait...Have you collected all the Star Wars: Adventures in Wild Space series? The Snare; The Nest; The Steal; and The Dark.

• Sales Rank: #353901 in Books
• Published on: 2016-02-25
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .47" w x 5.08" l, .84 pounds
• Binding: Paperback
• 160 pages

About the Author
Cavan Scott is an author and comic writer for both adults and children. He has written for a large number of high-profile series including Doctor Who, Star Wars, Adventure Time, Judge Dredd, Disney Infinity, and Warhammer 40,000. He is the writer of Titan Comics' Doctor Who: The Ninth Doctor mini-series and currently writes Minnie the Minx and Gnasher & Gnipper for legendary British comic, The Beano. A member of both The Society of Authors and the Dennis the Menace Fan Club, Cavan lives near Bristol with his wife, two daughters and an inflatable Dalek named Desmond.

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Ebook Learning to See Creatively, Third Edition: Design, Color, and Composition in Photography

Ebook Learning to See Creatively, Third Edition: Design, Color, and Composition in Photography

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Learning to See Creatively, Third Edition: Design, Color, and Composition in Photography

Ebook Learning to See Creatively, Third Edition: Design, Color, and Composition in Photography

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About the Author

BRYAN PETERSON is a professional photographer, internationally known instructor, and founder of The Bryan Peterson School of Photography at www.BPSOP.com. He is also the best-selling author of Understanding Exposure, Understanding Shutter Speed, Understanding Close-Up Photography, Understanding Digital Photography, Beyond Portraiture, and, most recently, Bryan Peterson's Understanding Photography Field Guide. His trademark use of color and strong, graphic composition have garnered him many photographic awards, including the Art Director Club's Gold Award and honors from Communication Arts and Print magazines. When not teaching workshops around the world, Bryan makes his home in Seattle.

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Product details

Paperback: 160 pages

Publisher: Amphoto Books; Reprint edition (August 4, 2015)

Language: English

ISBN-10: 1607748274

ISBN-13: 978-1607748274

Product Dimensions:

8.5 x 0.5 x 10.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

287 customer reviews

Amazon Best Sellers Rank:

#45,189 in Books (See Top 100 in Books)

Bryan Peterson is a well-known photography expert, instructor and author, with several highly popular publications on the subject, as well as being the founder of The Bryan Peterson School of Photography. When it comes to photography, Mr. Peterson clearly knows what he's talking about.Learning to See Creatively is in its third publication and it's easy to see why it's been such a hit with new and experienced photographers. With all new photos, this latest edition is sure to provide the perfect inspiration to motivate both beginners and experts to look at the world around them with an entirely new perspective.The book is divided into five informative chapters:* Expanding Your Vision* Elements of Design* Composition* The Magic of Light* PhotoshopWith tons of great information packed into each chapter, there's a lot to digest within the pages of Learning to See Creatively. Admittedly, it will take a certain amount of practice to achieve the same results as the author has in his gorgeous photos. Although there's a brilliant, yet simple photo of a lone jogger in a snow covered park that proves that breathtaking photos can be taken when you let the environment do most of the work for you. You just have to "learn to see creatively". Practice is what's so fun about photography. Experimenting with lenses, lighting, arrangement and other elements is what produces extraordinary photos and Bryan Peterson shares a ton of his trade secrets in his book so just about anyone can accomplish that.For under twenty dollars, it's well worth having Learning to See Creatively among your photography books. I highly recommend investing in it!eBook Review Gal received a complimentary copy of this book from the publisher in exchange for an honest review.

I was sitting down to read this book this morning after having a choice between some PTSD thoughts and I said "No, I'm going to read Learning to See Creatively. And as I stuck with it I got absorbed in seeing things creatively and with a different spin and other things I thought today took a different mood and tone. I was impressed with not only the creativity but the different ways of looking at something.

Excellent, excellent book! If for no other reason than the pictures in this book , come with all exposure data (shutter, aperture, lens etc.) and any other photographer's should take note , before putting pen to paper! I know that Bryan Peterson wants me to learn, to muse and reflect and then go out and experiment on my own by providing as much detail as possible to mimic, expand and have that ah ha moment! THAT IS WHAT ALL TRUE MENTORS DO! They want you to have success! Maybe I'm just dense, but Bryan seems to help me with that. Some books I have read leave you scratching your head and even more confused( they seem to add more voodoo and mistery to the art) about/of picture taking. Thankyou Bryan and keep up the good work!

Excellent book for a Pro and Hobbyist. I picked up few things from this book and start applying and I could see the difference in my photography right-away.Best way to get benefit out of this book is to read & apply what you have learned on weekly basis.The skills taught in this books can be practiced on SmartPhone as well (hence, you don't have to necessarily apply only on DSLR)

The book is very vague and unnecessarily long, filled with empty words that are meaningless.Even the sample images are not visually pleasing and I would definitely not follow someone who post photos at this level on instagram or other sites, let alone paying to buy photo from them.I’m including some sample images in this book, if you want to make ugly photos like this, buy the book. Otherwise look elsewhere.

As with other Bryan Peterson books, "Learning to See Creatively" is a well written, easy-to-read book aimed at beginner/novice photographers. In this book, you will learn about the basics of composition and visual design and leave you with new ideas to apply to your own images. Note: if you have read other books by Peterson, you may notice some recycling of material (although if you liked those books, you're likely to enjoy this one as well).This book starts off with a basic discussion of the characteristics of various lenses. There's a short description of how each lens type behaves followed by a few examples photographs used for illustration. The style/method of presentation in this topic is repeated throughout this book. The main text is clear and informative (focusing on just the basics) and there is a small selection of example photographs for each topic. Each photograph has a short sidebar accompanying it. These sidebars have a bit of a tendency to contain more text about the thing being photograph, rather than focusing on the relevance of that photograph to the subject. This may be a bit distracting, but not entirely unwelcome.The next three chapters deal with 'core' compositional topics. You'll learn about elements of visual design (lines, shapes, etc), followed by basic ideas like the "rule of thirds" and "frame within a frame". A short discussion about the different characteristics about light closes out this section. Although there was not a lot of depth in these topics, there was enough material to be engaging for the beginning photographer.To wrap up the book, there's a short chapter about digital photography, although the material is dated and particularly shallow. A chapter on 'career considerations' is last, and I found it surprising to see this chapter in a book clearly meant for beginners. Like the previous chapter, there's not a lot that would be useful here for either beginners or seasoned photographers.Overall, this book is a good choice for someone who has just learned the basic technical aspects of photography, and is searching for ways to augment that information to take better photographs. While you won't find a lot of depth in each topic, the level of detail is appropriate for the audience, and the material presented serves as a good foundation for further study. Recommended.

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Free Ebook , by Diana Gabaldon

Free Ebook , by Diana Gabaldon

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, by Diana Gabaldon

Free Ebook , by Diana Gabaldon

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Product details

File Size: 16057 KB

Print Length: 118 pages

Publisher: Dell (August 16, 2016)

Publication Date: August 16, 2016

Sold by: Random House LLC

Language: English

ASIN: B01HA4LFB6

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Amazon Best Sellers Rank:

#34,373 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

In this short work, Diana Gabaldon gives us her secrets for writing sex scenes that draw readers into a story emotionally. Using several examples, most drawn from her own works, and employing a delightful sense of humor, Gabaldon is able to explain why certain types of sex scenes illuminate characters, carry the plot forward, and leave readers feeling fulfilled, while others leave them either squirming with embarrassment or bored.If you look closely, however, you'll see this book gives you more than simply information about how to write sex scenes. Gabaldon shows you how to draw a person into a scene, any scene, by using such writing techniques as varying the focus of the scene (close-up vs. panoramic), using a touchstone (something familiar to anchor the reader in a scene), and employing the Rule of Three (use three or more of the senses--taste, touch, sight, sound, smell--to give the reader a visceral sensation of being somewhere, again to anchor him or her in the scene).This book is like an advanced writer's course. It shows that writing a good sex scene is about so much more than just sex. And beyond that, it shows how to write a good scene, whether sex is involved or not.

I'll be honest. At this point, I'm such an Outlander fan, I'll probably read whatever Diana writes. Even the slow moving Lord John series (the ebb and flow of those are just...I don't know). Anyway, I finished this in less than a day, and my main takeaway is that there's a lot of info here that can be used for more than just writing sex scenes.I'm in the midst of finishing two books right now, and I'm devouring as much info as I can on writing, and stories. This gave me a lot of great information on helping your readers really feel what's going on with your characters, and perhaps even put themselves in there (we all do that, right? Right.) so they can experience it too. I've started working out how the Rule of 3 can help my stories resonate with my characters, and why some scenes aren't as straightforward as you might think during your first draft.Highly recommend for all aspiring writers (she does put sex scenes she's written in there to show why and how to use her tips, so FYI if you're sensitive to that kind of thing).

Despite her great sense of humor, I could barely get to page fifty. Yes, she stated she felt dialogue during sex was important, but my God...with all the chatter, when did they have time to boogie? To me, the back-and-forth teasing got old, and after about the sixth long-winded example of rehashing the day's events, the female's exhaustion, and sex in a crowd, the books began sounding uneasily like formula romance-writing. I had never noticed it until seeing the scenes removed from the books' "plot", on their own. The characters never seem to grow maturity-wise, and as for the "wild sex," nothing new here that Kathleen Woodiwiss didn't cover forty years ago. I enjoyed Gabaldon's personal observations much more than the tedious examples (and was relieved to find I wasn't the only one distracted by the phallus references floating through James Lee Burke's self-conscious sex scenes.) Over all, a big disappointment. I expected a lot better from her.

...of Diana Gabaldon's writing methods and style laid out in such a matter of fact manner was so much fun for me! Her sense of humor and candid language simplifies the process of writing about sex while at the same time gives the reader ways to create more complex emotional scenes.This is far more than a "how to" book. By reading this I actually gained a deeper understanding of the Outlander characters. Two thumbs up!!

As a writer, it's always nice to get writing advice from an author you admire and respect. This book could be entitled How to Write, but it does focus on the sex scenes. The advice, however, is applicable to any fiction writing, as it reminds the writer to use all the senses, let the reader use their imagination, all excellent advice, no matter what sort of scene you're writing. Written in Ms. Gabaldon's eloquent and sometimes hilarious style, this writing guide is as entertaining as it is informative.

At the recommendation of peers on how to improve my writing, I just finished I Give You My Body and Romancing the Beat.They were both excellent.If you want to understand where you're going wrong, or have room to improve immediately, grab Romancing the Beat. It was so digestible, easy, and humorous. There's even a beat sheet in the back that's close to what I write and create. It taught me where to slow down, build up the anticipation, create tension, and where to release it.I Give You My Body gets into the details of creating intimacy - even in the nastiest of experiences, like rape - and how to really draw it out through action, emotion, and environment. I admit IGYMB made me skip some passages - I just wasn't ready - or built - for some of the scenes in the Nasty Sex chapter. They aren't graphic, but the emotion is really there, and you don't always want to experience those things when you're reading. But it's an amazing reference tool to learn how to use sexual intimacy to build the relationships in your characters. Both combined make for a purchase less than $10, and worth that investment in my humble opinion.

If you're a writer and you've been stuck on those sex scenes then this is the book for you. I have been able to master every scene but the sex scene and Diana Gabaldon masterfully explains the development, the intent and the real method of creating interest of every kind of sex scene. This teaches more about what goes on between the ears than between the sheets and I couldn't be happier because I'm not into writing pornographic scenes but there are points where you need to have a plan for adults reading about adults that doesn't have to be explicit. Expect explicit language even if you don't intend to use it because she does go over a lot of variations of sex scenes. All-in-all I found this book to be a refreshing treatment of the topic and I salute DG in revealing to everyone how to go about writing effective (as in they did the job required of them) sex scenes. I highly recommend this book.

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Free Ebook The Repair of Vehicle BodiesBy Andrew Livesey, Alan Robinson

Free Ebook The Repair of Vehicle BodiesBy Andrew Livesey, Alan Robinson

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The Repair of Vehicle BodiesBy Andrew Livesey, Alan Robinson

Free Ebook The Repair of Vehicle BodiesBy Andrew Livesey, Alan Robinson

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The most comprehensive construction, repair and finishing of vehicle bodies text. Fully covers the underpinning knowledge needed for the Automotive Skills Council vehicle body and paint operations requirements, City and Guilds 3980 Vehicle Body Repair Competence courses and the NVQ and the Progression Awards of both City and Guilds and the Institute of the Motor Industry at levels 2 and 3.

Essential reading for all those involved in the trade and insurance assessment, as well as for professional vehicle restorers and DIY enthusiasts working on the restoration or adaptation of classic and modern cars.

• Sales Rank: #4965964 in Books
• Published on: 2006-01-25
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x 1.36" w x 7.44" l, 2.83 pounds
• Binding: Paperback
• 676 pages

From the Back Cover
This well respected book has been revised and updated, with new sections and questions covering all aspects of construction, repair and finishing for Vehicle Body Repair students. Serving as a comprehensive manual, the book fully covers the underpinning knowledge needed for the Automotive Skills Council vehicle body and paint operations requirements, IMI Body Repair and Refinishing Technical Certificates (VRQs) and National Vocational Qualifications (NVQs), City and Guilds 3980 Vehicle Body Repair Competence courses, and the NVQ and Progression Awards of both City and Guilds and the Institute of the Motor Industry at levels 2 and 3.

. The most comprehensive text on the construction, repair and finishing of vehicle bodies
. Updated and revised to meet the latest Automotive Skills standards, IMI Technical Certificate curriculum and NVQ requirements
. Ideal for body repair work, refinishing, painting and hobby vehicle builders

This text is essential reading for all those involved in body repair work or in insurance assessment, as well as for professional vehicle restorers and DIY enthusiasts working on the restoration or adaptation of classic and modern cars.

About the Author
Andrew Livesey has been involved in automotive engineering both as a lecturer and a writer for many years. He taught and managed the Oxford Brookes University Motorsport programmes at Brooklands and set up the very successful undergraduate training programmes for McLaren. He is the author of several motor vehicle books and currently divides his time between lecturing at the University of Kent and running his own company, Andrew Livesey Consulting Ltd.

Other books by Andrew Livesey:

Basic Motorsport Engineering 9780750689090

Advanced Motorsport Engineering 9780750689083

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Ebook Tornado JonesBy Trella Lamson Dick

Ebook Tornado JonesBy Trella Lamson Dick

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Tornado JonesBy Trella Lamson Dick

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• Sales Rank: #5244919 in Books
• Published on: 1954
• Binding: Hardcover

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PDF Download Lessons with the Master: 279 Shotokan Karate Lessons with Master Hirokazu KanazawaBy Paul Walker

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Lessons with the Master: 279 Shotokan Karate Lessons with Master Hirokazu KanazawaBy Paul Walker

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A detailed and unique training resource, Lessons with the Master is a meticulous account of the teaching methods and lesson strategies of world-famous karate master Hirokazu Kanazawa, chief instructor and president of the Shotokan Karate International Federation of Japan. Author and karate instructor Paul Walker spent three years studying karate under the direct guidance of Master Kanazawa and his expert instructors and has now compiled his diary entries of those years into this easy-to-understand reference for all students and instructors of Shotokan karate. Lessons with the Master offers ideas, tips, and guidance on the use of authentic Shotokan karate-do to supplement and improve current training and drill-teaching. Using the database of lessons, the additional explanations on lesson components, and the many other instructional tips, students and coaches can design an endless number of coherent and effective workouts and incorporate them seamlessly into their regular karate training. Detailed lesson notes, a glossary, and Walker's engaging anecdotes make Lessons with the Master an indispensable resource for all karate practitioners.

• Sales Rank: #1350342 in Books
• Brand: Brand: iUniverse, Inc.
• Published on: 2007-06-19
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.48" w x 6.00" l, 1.89 pounds
• Binding: Paperback
• 590 pages

Features

• Used Book in Good Condition

About the Author
Paul Walker was born in Leeds, England, in 1973 and began his karate study in 1982. He lived in Japan for three years and studied under the direct instruction of Master Hirokazu Kanazawa. Walker is married with two children and currently runs a successful dojo in Apple Valley, California.

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Lessons with the Master: 279 Shotokan Karate Lessons with Master Hirokazu KanazawaBy Paul Walker PDF

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